Natural History Films and Stock Footage Library

Writings By Howard and Michele

    

  Note: I wrote this short story while in production on my first natural history film, Seasons in the Sea.

Shark Story

by Howard Hall

 

Three of us waited on the bottom for the shark to come rushing out. Chip Matheson was to my left kneeling behind a rock. I could see that his hand was trembling violently. It was probably the cold water. The largest and most ferocious sharks dwell in cold temperate waters. Los Coronados Islands, Mexico's northern-most islands on the Pacific Coast of Baja California, are definitely temperate. Great whites have been sighted here. We had been down over an hour, waiting. We were all cold


Mark Conlin was to my right. He was steady. Mesmerized by the spot from where he expected the shark to emerge. Mark had much less experience with sharks than Chip or I and perhaps the adrenaline rushing through his veins was keeping him warm. Although I own a chain mail anti-shark suit, I wasn't wearing it. It's effective against all but the largest sharks. But it would do me no good here. Powerheads, the explosive spear points designed to kill sharks, would be equally useless.

My 16mm motion picture camera was set on a heavy tripod. It might have been possible to hand-hold the camera, but the current was strong and I was afraid that when the action got started I wouldn't be able to hold the camera still without the tripod. I didn't want to blow it. We would probably only get one chance and when the shark began to move, things would happen fast. My movie lights were mounted on the camera and were burning. "Don't let a lamp burst now", I thought to myself. "Or a battery die, or the film jam, or any of the dozens of things that can go wrong when making wildlife films underwater. And when the action starts, don't let me do something stupid to blow the shot." I started reviewing all the times I blew a shot by turning the camera off too soon, or zooming the wrong direction, or losing focus. How many times had I actually risked my life to get a shot and then blown it by doing something stupid? And how many times had the subject been sharks? I silently recited the cameraman's prayer, "Please, Lord, save me from screwing this up."

"This is madness!" I realized. "I'm down here freezing to death, waiting for this shark to come flying out. I'm wasting my time. I should be home. I could become a couch potato. I should get a real job, 9am to 5pm, indoors where it's warm. I'm freezing. I must be entirely out of my mind! I'm going to spend two years of my life shooting this film and it's going to be on television for one hour. ONE LOUSY HOUR! And when it's on, people will just page through it with their remote control buttons. Two years of freezing like this. And the film may not be any good. Two miserable years and I could fail. I could fail!

WAIT, SOMETHING MOVED!"

Suddenly, Chip and Mark were screaming through their regulators, "shoot, SHOOT, SHOOT!" I pulled the trigger even before looking through the viewfinder. Then I could see it through the lens. The shark was coming out! Its head emerged first. Using a row of modified hook-like denticles along its back the shark caught the top edge of the egg case opening and began pushing itself out. The shark egg was hatching!

The swell shark emerged quickly into the world. Six inches long, covered with spots, and with a large bronze cat-like eye. It was a beautiful, jewel-like creature. It hesitated only a moment in the bright pool of incandescent light before dashing off in search of a place to hide and rest. I turned the camera off.

"Wonderful, absolutely wonderful," I thought. Mark and Chip were still hooting through their regulators. "God, that was wonderful!" I checked my air pressure and decompression computer. "Damn, time to go. Never enough time. Never enough air. I wish I could stay forever! By God, that was wonderful!"