A
Grey Morning
by Howard Hall
There
are two reasons why scratching an itch on the nose of a thirty
foot whale is a bad idea. One reason is that the beast might
not like it. The other reason is that the whale might, instead,
like it very much. Reason number one a most minor exercise
in common sense. When confronted with a wild animal, especially
one large enough to squash you like a grape, it seems instinctive
to avoid doing anything that might piss it off.

"A friendly gray whale" ©Howard
Hall |
Instinct
can be misleading, however. It may be that, when confronted
with a thirty-foot leviathan, your instinct tells you that
reaching out and scratching its nose would be appreciated.
You may actually be overwhelmed with certainty that the animal
will not meet your touch with fear and anger, and that it
will not react by squashing you like a grape. So, you think,
why not?
Consider
this analogy: You are walking down the street and you come
to a dog sitting on the front lawn of a residence. If the
dog growls and bares its teeth at you, instinctively you know
that giving it a pat on the head would be a bad idea. If,
on the other hand, the dog wags its tail, rolls over on its
back and wiggles submissively, the instinct to reach out and
give it a pat is almost irresistible. But even in this instance
there may be unwanted consequences to a show of affection.
You may be repentant as the dog playfully jumps up on you,
soiling your clothes with its dirty paws and licking your
face with a tongue that has been recently exploring unmentionable
canine anatomy. Then the dog follows you home and you can't
get rid of it. Returned friendliness is not always a good
idea with a stray dog. It is also not such a great idea with
a whale. Following is a specific example of why I know this.
Bob
Cranston and I were diving rebreathers at Anacapa Island just
offshore from Santa Barbara, California. We'd been down just
over an hour searching for a fish called a sarcastic fringehead.
These fish are quite common everywhere at Anacapa except,
of course, in the location Bob and I were searching. We had
just searched fruitlessly north of our dive boat, the M/V
Truth, and were beginning to invest another hour searching
South, when a voice near my left ear said, "I don't know if
this is important or not, but there's a small gray whale in
the kelp near Cat Rock and it's been there for about a half
hour. I don't know, but I think maybe you could film it."
The voice belonged to Mark Conlin and was emanating from a
tiny "receive only" Buddy Phone speaker attached to the shoulder
of my Scubapro Stab Jacket.
Filming
whales underwater is problematic especially in the relatively
murky waters of Southern California. Any success usually depends
upon active participation by the whale. Unless the whale is
curious and approaches the cameraman intentionally, the cameraman
has little chance of getting more than a distant murky shot
of a whale dashing by. A prerequisite for a whale becoming
interested in a human is that the animal must first be absolutely
bored to tears. A whale slowly bobbing around in the kelp
sounded like a bored animal to me and therefore worth presenting
myself to as an object of curiosity.
I
immediately closed the valve on the mouthpiece of my rebreather
and spit it out. Then I reached down and raised a Buddy Phone
mouth-mask to my face, cleared it and pressed the "push to
talk" button. "Load camera with 7293. Put on 5.9mm lens and
URP filter. We are coming back".
"Roger,
loading 7293, 5.9mm, and URP," Mark confirmed. By the time
Bob and I got back to the Truth, the camera would be ready
and waiting.
"It's still there," Michele Hall said pointing to a spot a
hundred yards astern of the Truth. Bob and I dropped our rebreathers
on the deck and quickly assembled our scuba gear. One of the
great expectations regarding rebreathers is how useful they
may be for filming whales. My experience has been that rebreathers
are cumbersome and slow compared to standard scuba. And in
a situation where you are relying on the animal's curiosity,
stealth doesn't necessarily work in your favor.
With
our tanks strapped on, Bob and I stepped into the Truth's
Zodiac and Danny, the Truth's skipper, motored us toward the
whale. When we reached the spot where we had last seen the
animal, Bob and I pulled on our fins and masks and got ready
to jump in.
"I
don't see him now," Danny said.
"It doesn't matter," I replied. "He's got to be close and
for this to work, it has to be his idea anyway."
Visibility
was about fifty feet as Bob and I settled on the sandy bottom
sixty feet below the zodiac. After five minutes I was just
beginning to feel foolish when the whale made its first pass.
I turned the camera on just in time to get a worthless shot
of the tail as the animal passed by. But before the whale
disappeared, I could see that it was circling back for another
look.
The
next time the whale passed, it did so on its side with the
left side of its head pressed against the bottom. Then it
opened its mouth and sucked up great clouds of sand and water.
Gray whales are mud suckers.

"Gray whale on the bottom" ©Howard
Hall |
In
the North Pacific gray whales normally feed on amphipods buried
in the sand. There were no significant quantities of amphipods
here, but maybe the whale was finding something else in the
sand to eat. Whatever the meal was, the whale was giving me
an opportunity to film a seldom seen behavior.
Of
course, it wasn't easy. The whale seemed to instinctively
know which move would catch me most off guard, producing the
most awkward shot. For the next half-hour, Bob and I swam
at one hundred percent effort trying to get the best position
on the whale as it passed. Soon I was out of film. When I
surfaced, I found we had drifted back in the direction of
the Truth, so I dropped back down deciding to swim for the
boat rather than waiting for the Zodiac. The whale followed
me back to the boat.
When
Bob and I got back on board, Michele handed me a still camera.
She had her DUI suit and weight belt on. I noticed that Mark
had his suit on too as did divers, Ken Bondy and Tim Harrison.
The whale surfaced right next to the boat. They all looked
at the whale then looked at me. "Every man for himself," I
said. A moment later the deck was empty.
Shooting
stills was no easier than shooting film. The whale continued
to return, making close passes. But like all whales it instinctively
knew just when to turn away from the camera or kick up a cloud
of sand. I found myself swimming like a madman trying to get
positioned for an approaching shot. I wanted the animal coming
into the frame head-on, not going away. I rationed the frames
in my camera, struggling to get the best angle as the whale
circled and made pass after pass.
With
only a few frames left in the camera, I looked around and
noticed that I was alone. Everyone else had run out of film
or air. I was nearly exhausted, but used my last bit of energy
to click off the remaining frames in my old Nikonos III. Finally,
the winder froze telling me I was out of film. I was almost
grateful. And that's when it happened; the bit about scratching
the nose of a whale.
I
immediately stopped swimming. It was no longer necessary to
fight for that head-on position as the whale swam by. I was
done shooting. I could feel dampness against my skin inside
my DUI suit. I knew the suit wasn't leaking, it was perspiration.
I settled down on the bottom and relaxed waiting for my breathing
to come under control and my heart rate to normalize.
The
whale also realized that the game was over. Now it no longer
felt obliged to foil my efforts by presenting awkward posses
and tail-on photo opportunities. It turned and swam toward
me slowly, head-on. Then, only four feet away, it stopped
and settled on the sand. I couldn't believe it! I had busted
my ass to get this kind of position and now, out of film,
I watched as the whale not only makes a perfect approach,
but stops and lays in the sand five feet away! Motionless!
Moving
slowly, I crawled over to look into the tennis ball-sized
eye. It was looking back. Then the head turned and moved a
little closer. The whale raised its nose toward me. I could
see barnacles on the nose, their feathery legs reaching out
to strain the water. The nose was an arm's reach away and
at shoulder level. I looked into that great eye once more
and a long moment passed. The gray whale didn't wag its tail,
roll over and wiggle, but the message was clear. If I scratched
its nose I was certain the whale wouldn't be pissed off. I
strongly suspected it might like it. Slowly, I reached out
and touched the rubbery hide. Then gently, I scratched.
Nothing
much happened. Perhaps, the whale leaned slightly in my direction
to increase pressure on my hand. But I was certain the whale
liked it. I continued to scratch for about thirty seconds
mesmerized by the proximity of this magnificent creature.
And then I decided I'd had enough and stopped.
Have
you ever scratched the nose of a dog and then, after stopping,
had the dog put its nose back under your hand and nudge it
looking for more? Well, that's what the whale did. Problem
was that the whale weighed fifteen tons and when it bumped
me with its nose I went flying.
I
rolled across the sand like a peanut being pushed by the nose
of a giant toddler in some kind of preschool game, then looked
up just in time for the whale to whack me with its nose again.
I went ass over teakettle. I was rolling across the bottom
like a grape rolling downhill. My mask filled with water and
I managed to get it about half clear when I went spinning
a third time. It had ceased to be fun. I was in danger of
losing my camera if not my mouthpiece. When I got my mask
clear a second time, I found myself several feet off the bottom
with the whale moving in for another affectionate blow. The
trajectory was such that the next impact would probably have
me singing in the soprano section for life. I slammed my knees
together and twisted away just in time and found myself rolling
down the whale's flank.
Then
it was over. The whale decided not to return for another smack
at the peanut it was rolling across the bottom with its nose.
Instead it slowly drifted away vanishing from sight. I didn't
pause to bid the whale a fond farewell. Instead, I beat feet
back to the boat and climbed thankfully aboard. A few minutes
later we saw the whale breach a few hundred yards away.
The
Truth pulled anchor and we followed the whale as it rounded
the eastern tip of Anacapa Island and moved into the rough
water of the Santa Barbara Channel. Then it breached a half
dozen times more as it moved out into the open ocean. |