Note:
The following is a story that will warm the hearts of those
who profit from the sale of expensive SLR cameras and underwater
photography equipment. I have not embellished nor exaggerated
the extent of the following chronicle of damaged equipment.
Destruction in the Solomons
By Howard Hall
"Larry Cochrane
checks out his flooded Nikon housing"
©Howard Hall |
Nineteen of us went to the Solomon
Islands a few years ago to dive aboard the liveaboard boat,
Bilikiki. Nearly all were underwater photographers, many were
old friends, and all were excellent divers. We had a great
time.
It's true, however, that my hydro
35 camera housing leaked on my first dive. But that is precisely
why I take the precaution of traveling with two Nikon cameras.
Having the spare camera in my camera box (which cost a fortune
and has never been used) insured that the saltwater damage
caused by the flooding was minimal. My primary camera worked
fine after some careful cleaning. Had I not had the spare,
the housing would have undoubtedly flooded completely resulting
in the total loss of the camera inside.
My wife, Michele, had a brand
new Nikonos V that she had recently purchased. She managed
to keep this dry on the inside and wet on the outside through
three full dives. After her fourth dive, however, she noticed
that her shutter "looked funny, sort of shinny, like
it had oil on it". Of course, it was seawater not oil.
She had flooded it. She says it was not her fault. Fortunately,
by Michele's fourth dive, I had gained considerable experience
repairing flooded Nikonos cameras.
I can thank Steve Larson for most
of the experience I gained regarding repair of Nikonos equipment.
Steve had flooded his Nikonos V on his first dive. Steve had
a medusa-like strobe sync cord that permitted him to connect
his Nikon 8008 camera housing to two enormous Ikelite 150
strobes with a Nikonos camera simultaneously connected to
the strobes and mounted on top of the housing. Unfortunately,
this was the only sync cord he had and that necessitated carrying
all this gear with him on every dive whether he wanted to
or not. This monstrous camera assembly became known as the
"Battlestar Galactica" by those of us who dived
with Steve. It was know by other less flattering names by
crew members who were required to lift it in and out of the
boat. Unfortunately, when Steve bolted the Nikonos to the
bracket on top of his SLR housing, a design flaw in the bracket
caused the door of the Nikonos to lift off the o-ring. This
became inconvenient immediately upon Steve’s entering
the water. The Nikonos was full of water before Steve had
brushed the bubbles off his lens.
Steve's lens stayed dry, however.
That's because he read that bit in my book that said the 35mm
lens works best as a fishing weight if not used with extension
tubes. So Steve had borrowed Ferol Page's new 20mm lens. Ferol's
lens got quite a lot of water inside.
I followed the directions for
repairing the Nikonos V that I found in Jim and Cathy Church's
book. After several hours of work, the camera worked fine
on manual, but the TTL feature was quite dead. I probably
didn't work fast enough or carefully enough when I cleaned
it. My technique improved after Steve's second dive. Since
his camera was inoperative and Ferol's lens was still wet,
Steve Larson had borrowed Steve Mann's camera and 20mm lens
for his second dive. He bolted the camera to the same flawed
bracket which lifted the door of Steve Mann’s camera
off the o-ring. The results were, of course, identically catastrophic.
Chris Huss helped me clean the
cameras. We worked much faster on the second one. But when
finished, the TTL didn't work on that camera either. Some
of the lights came on, however, and I thought that was a sign
of improvement.
Chris and I got to where we could
fix the 20mm lenses almost in our sleep. And Chris had plenty
of extra time to work on flooded cameras since he got decompression
sickness. Happily, it was not a bad case. He didn't do anything
wrong that we know of. Chris is a truly excellent diver. But
the frustration he felt at having his Mark 150 strobe flash
involuntarily three times per second every time he took it
in the water may have precipitated the bends. Who knows?
Anyway, by the time Michele flooded
her camera, I was an expert at fixing them. Her Nikonos worked
fine afterwards. Others were not so lucky. Karrinne Bauer
set a dubious record by flooding three strobes in one day!
When she finally managed to find a strobe that didn't leak,
she couldn't get it to work. It turned out that her camera
housing was wired improperly which prevented the strobes from
firing. She finally switched to using a Nikonos system that
her husband, Dick, modified for her with a pair of pliers.
Actually, the strobe arm on the bracket was giving Dick some
trouble so I suggested the use of the pliers. I certainly,
didn't expect him to break it in half.
We had serious and not so serious
photographers on the trip. Alan Straus was one of the serious
kind. He had one or more cameras with him on every dive. In
his cabin and under the salon table, Alan had boxes and boxes
of spares. When his Nikonos V flooded, he just got out another
from one of his boxes. When his strobe flooded, no worries,
he had plenty more.
But when Alan's air pressure gauge
stuck at 900 psi while at 100 feet contradicting his assertion
that no more air would come out of his regulator no matter
how hard he sucked, he went to Carolyn Shepherd for a bit
of help. Carolyn always had plenty of extra air. Her air consumption
was so low that she often seemed to come back to the boat
with more air than when she left. Indeed, her dive computer
often confirmed this amazing phenomenon. It often said she
had 6,000 psi in her tank at the end of her dive.
Carolyn also had plenty of bottom
time. She carried two expensive decompression computers. One
of which was filled with water after her first dive and the
other often crediting her with the counter-intuitive 6,000
psi in her tank and limitless bottom time at all depths. Being
a diving instructor, Carolyn was skeptical of her computer
readings. So she planned her dives based on Alan's computer.
They dived well together, he not knowing how much air he had,
and she not knowing how much bottom time.
Saul Sarney was one of the not
so serious photographers on board. He had no spares. He made
every dive with a system he had borrowed from a friend. He
never seemed to tire of the anticipation he felt in hopes
that maybe the next time he pulled the trigger his strobe
might actually flash. Unfortunately, it never did. Every night
he developed his slides and he and I would review them and
debate whether they had come out all black or all very deep
blue.
Greg Sindmack was an inexperienced
diver and among the less than serious underwater photographers
on board. He seemed quite comfortable with the fact that his
Canon EOS camera housing acquired a half cup of water on every
dive. He just dumped it out, changed film, and dove back in.
No big deal. The only time I saw him concerned about anything
was after I grabbed him by the shoulders, shoved him over
the drop-off, and gave him an obscene gesture. He thought
I had gone nuts. Actually, I was just trying to communicate
to him that he would be very unhappy should he succeed in
catching the lovely, colorful, and rather friendly lionfish
he was trying to grab with his bare hands. He didn't know
about lionfish.
Barbara Murphy knew about lionfish.
She claimed she stuck her hand into a den of lionfish at the
insistence of her husband, Larry. She felt sorry for Larry
because he had accidentally twisted all the pins out of the
strobe-cord receptacle in his Nikonos camera. This injury
to his camera perhaps caused by frustration at having just
flooded his 150 strobe. Since Barbara was not taking pictures,
she might subliminally have wished to damage something just
to be part of the gang. She stuck her hand into a hole filled
with lionfish. We decided damage to her hand did qualify her
as member in good standing. Fortunately, she had no serious
reaction and the swelling was well down by the next day.
Bob and Rita Shapiro shot Barbara’s
lionfish adventure with Dick and Karrinne's video camera.
They were taking a break from still photography since Bob
had flooded his new Nikonos 102 strobe. Bob didn't have time
to flood any more gear because he spent so much time repairing
the strobe. It took two days to get every part dry and clean
and the whole thing carefully reassembled to where it looked
just like a brand-new strobe. Of course, it never worked again.
There were several video cameras
on board. Steve Wystrach and Janet Adams had brought a nice
new V99 system and we enjoyed watching the tapes every night.
Steve's tapes were especially artistic after he managed to
grind a circle in his Plexiglas dome port by extending his
lens out too far. I asked him what had happened and he just
said that the housing was too short.
As you can see, we had our equipment
problems; every one of us, with one exception. Darrell Anderson.
Darrell had great luck. His cameras worked perfectly. He never
lost anything and never damaged one fragile, expensive item.
Only he among us had a perfect equipment operating record.
But then, Darrell did get Malaria.
I never saw a single mosquito
the whole time I was in the Solomons! But Darrell gets bit
by the nasty one. Sure there's a drug you can take to prevent
Malaria and it became available in the United States the very
day after we left. The drug we were all taking had been ineffective
against mosquitoes in the Solomon Islands for years. But if
you're going to get Malaria, get it aboard the Bilikiki. It's
the one of the most comfortable boats I've ever dived from
whether you're sick or not. And they know just what to do
about Malaria. They had Darrell in a clinic within hours of
his first symptoms and three days later he was cured and diving
with us again.
If you're thinking about buying
an underwater camera system, this article presents the dark
side of what you might expect. It's sort of like sports. When
you come back to the boat with a camera housing that weighs
a couple pounds more than when you began your dive, you feel
like you just finished last in the league. But when you look
at your photos and you see that occasional, magical, image
where everything worked and it came out just like you dreamed
it would, you feel like you've just hit a grand slam. |