
Natural History Films and Stock Footage Library
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New Raja Ampat Expedition
for 2013
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New Indonesia Expedition for
2013
Raja Ampat aboard Pindito
Michele and Howard will begin 2013 with a return
to Raja Ampat. This time we are collaborating with John and
Karen Ellerbrock of Gates Underwater and will be doing two
back-to-back trips aboard Edi Frommenwiler’s famous
Indonesian liveaboard, Pindito.
For years Edi and I have discussed shooting motion
picture footage together. Edi is a fellow RED camera owner.
He has captured amazing underwater images using his RED and
his Gates Deep Red housing. By 2013, both John and I will
have upgraded our camera systems to the RED Epic 5K camera
and will be looking forward to recapturing the spectacular
reefs of Raja Ampat in Epic 5K digital. Combining Edi’s
substantial camera skills with his decades of diving experience
in Indonesia should prove highly productive and a wonderful
learning experience for all of us.
The trips are open and booking is done directly with
Pindito’s offices.
Trip one is February 4-15, 2013
Starting and ending in Sorong, Irian Jaya.
Trip two is February 18 – March 1, 2013
Starting in Sorong and dropping off passengers in Ambon.
For more information and bookings go to: www.pindito.com/
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Raja
Ampat Expedition January 2012*
*Expeditions now full. Contact Seven Seas
for waiting list
In January 2012 Michele and I will return to Indonesia
aboard Seven Seas, the beautiful boat we used during the
making of our IMAX 3D feature, Under the Sea 3D. Our Under
the Sea 3D / Seven Seas expedition was our longest of the
five trips we did for the film. It was also the most beautiful
trip. We spent five wonderful weeks filming in the Komodo
National Park and east along the Komodo Archipelago.
But we never made it to Raja Ampat. Next January
will be our first opportunity to visit this richest of all
marine ecosystems in the world. And we’ll do it aboard
Seven Seas. Michele will be shooting video and stills with
her new Canon 7D and I will be gathering stock footage in
4K with my RED camera.
Our Seven Seas expedition will be composed of two
itineraries: A Northern Itinerary and a Southern Itinerary.
Guests can choose either leg of the trip or (as with Michele
and me) both legs. Both expeditions will begin and end in
Sorong.
The Southern Itinerary begins January 8 in Sorong
and returns to Sorong on January 22.
The Northern Itinerary begins January 24 in Sorong
and returns to Sorong on February 7.
There are a total of 8 cabins available on Sevens
Seas for a maximum of 16 guests (including Michele and me).
Cost is US$ 7,000 per person for each cruise of
14 nights or US$ 14,000 per person for both expeditions.
Booking should be made directly with Seven Seas
by contacting: info@thesevenseas.net
For more information about Seven Seas go to: www.thesevenseas.net
Click on maps for a larger version
| Northern Itinerary

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Southern Itinerary

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Since most of us on board will be
photographers, we will try to keep our actual itineraries
somewhat flexible allowing us to spend extra time at some
of the more popular locations, possibly at the expense of
locations that may be less productive photographically.
Lembeh Straits
Expedition September/ October 2011

For information about Lembeh Resort
go to: lembehresort.com
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Report
from Lembeh Resort #1.
| Michele
and I were probably the only underwater professionals
who had never been to the Lembeh Resort. Well, we
are no longer Lembeh virgins. We arrived at the Resort
after attending the Celebrate the Sea Festival in
Manado, North Sulawesi, Indonesia. When the Festival
was over, the Lembeh Resort picked us up at the hotel
and we made the two hour drive to the Resort on the
other side of the island.
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have now been here six days and have already seen
many of the Straits most famous animals. Our timing
seems to be excellent. All the animals that the Lembeh
Straits are famous for seem to be here. It's truly
an amazing place. Huge tidal currents rush through
the Straits between North Sulawesi and the tiny island
of Lembeh. Current eddies bring cold plankton-rich
water to the sheltered bays and coves. The bottom
is either coral or black sand. The latter having been
created from volcanic ash. The biodiversity is astounding.
There may be more than 2,000 species of fish here.
And the variety of coral species is off the chart.
We've seen many corals Michele and I have never seen
before.
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diving conditions make working here easy. The waters
are protected from wind. There is no swell. And the
currents over the dive sites are mild. I'm shooting
with my RED camera in the Deep RED Gates housing.
Michele is shooting stills with her Canon 7D in her
new Nauticam housing. Lembeh Resort usually provides
one guide for each pair of divers. Normally, I enjoy
looking for animals myself, but here guides are critical.
They dive every day and know the animals and know
how to spot them. On our first dive our guide, Ronald
Sarante, showed us wonderpus, mimic octopus, flamboyant
cuttlefish and several other iconic Lembeh critters.
I never stopped shooting.
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| On
our second dive, Ronald showed us a hairy octopus.
Today we saw a second one. These are quite rare and
Helen Gomez, Guest Relations Manager here at Lembeh
Resort, has yet to see one after more than 700 dives
in the Strait. Since we have seen two in less than
a week, either Michele and I are quite lucky or Helen
has no luck at all.
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| After
three days of diving, I began to ask Ronald to show
us specific animals that I was interested in filming.
I told Ronald I was interested in filming catfish
schools. On our eighth dive, he took us to a hole
beneath a small reef that was home to the largest
catfish I have ever seen. Each was more than a foot
long. They looked to be preparing to sleep for the
night. Michele and I photographed them laying on top
of each other like a stack of lumber.
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| We've
spent several dives with flamboyant cuttlefish. We
filmed a batch of eggs hatching yesterday. Apparently
the eggs take 50 days to gestate. Our guides know
by looking at them just how close to hatching they
are. Ronald said he knew of one batch beneath a coconut
shell that was ready to hatch. The process took our
whole dive, but it went like clockwork. Ronald turned
over the coconut shell, and my bright movie lights
stimulated the baby cuttlefish to hatch. Today we
went down for more cuttlefish action and filmed the
flamboyants feeding on shrimp.
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| So
far the trip has been more than successful. Today was
the first glitch in an otherwise flawless experience.
My RED camera has begun to melt. I've been having an
intermittent power failure that I thought was just a
temperamental battery terminal. Today it completely
gave up. Upon inspection I discovered that the battery
terminals had partially melted. Certainly, the camera
gets very hot when operating. But the heat of discharging
the battery has actually melted the plastic surrounding
the battery terminals on both the batteries and the
camera battery mount. Steve Fish and I took one battery
apart to discover the wire soldered to the terminal
had melted free. Steve re-soldered the wire and everything
is working tonight, but I will be lucky to get through
the rest of our expedition without something going seriously
wrong. |
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Report
from Lembeh Resort #2
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We only have a few days of diving remaining.
Soon Michele and I will have to return home where
we must prepare our own meals, rinse our own dive
gear, and lift our own cameras. These things are forbidden
at Lembeh Resort. Frankly, I’m seldom comfortable
with others washing and moving my expensive RED system
around. But Ronald and the boat crews are very careful
and I’ve quickly adapted.
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I’m certain that the diving here is the
easiest I have ever experienced. There is not the slightest
hint of surge (swells passing overhead), no wind chop
on the surface even when the wind is blowing, and very
little current on the dive sites. For people who want
effortless diving, this is the place.
Effortless diving conditions do not mean effortless
shooting. The animals don’t care that I may have
come half way round the world to capture IMAX quality
images of their intimate behaviors. In fact, some of
the critters seem to take pleasure inducing massive
levels of frustration. They seem to know that smacking
them on their little heads with stainless steel prodders
is gravely frowned upon here.
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I was trying to film an amazingly beautiful
foot-long dragonet. It was feeding in the rubble and
each time it moved it erected a dorsal fin that would
make a Vegas casino marquee seem dull. But the fish
only presented its backside to me. It would continue
to feed, but would not allow a frontal shot. I struggled
with it for twenty minutes or so figuring to win a battle
of wills. I even tried swimming in circles around the
fish as it constantly turned to face away thinking I
would tire it out. I circled it so many times I made
myself dizzy. Finally, I gave up. Some animals simply
don’t recognize art and superior intellect. Michele
swam up to the dragnet, hovered a few inches away from
its face and shot a series of perfect images of its
smug little face. I almost bit through my mouthpiece.
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Fortunately, most subjects here are less
cantankerous than the dragonet. During the last few
days we’ve photographed mimic octopus, truly
bizarre scorpionfish, snake eels, coconut octopus,
and more. I think seeing the coconut octopus was my
biggest incentive for coming to Lembeh. I’d
seen great footage captured by guys like Bob Cranston
of these animals and deeply wanted to include their
hilarious antics in our library. We spent two days
working with these guys capturing a range of fascinating
behaviors.
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Coconut octopi are aggressive hunters. They
are death on crabs but will also go after your stainless
critter probe, your hand, anything it thinks could be
prey. They have little fear. After catching a crab,
the octopus hustles back to its den, which is often
a large abandoned clamshell. Then after grabbing both
halves of the shell, it puts its eight legs on the bottom
and walks away. Down slope, the octopus stops and pulls
the two shell halves together – clamming up. You
can’t help but laugh. |
| We have three more days of
diving left. I have only seen two very small frogfish,
but tomorrow we plan to give frogfish the full-court
press.
By the way, Steve’s fix on my RED battery seems
to be holding up. Everything is working and hopefully
will continue to do so for the next nine or ten dives.
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Report
from Lembeh Resort #3.
RED Frame
Grabs |
Michele and I spent our last couple days
at Lembeh concentrating on frogfish and wonderpus.
But we were often distracted by the many other fascinating
critters found here. Ronald had little trouble finding
various frogfish species for us as well as a wide
variety of octopus. On one dive we encountered a carrier
crab and I followed it around for more than an hour
We filmed a nice sequence of a carrier crab
for Under the Sea 3D. That particular crab was using
a Cassiopeia jellyfish as a venomous shield against
predators. But I had seen photos of carrier crabs
toting fire urchins. I was thrilled when Ronald spotted
one of these.
RED Frame
Grabs |
We also spent a dive watching a seahorse
feed. It had quite a battle with a small transparent
shrimp that was really too big for the seahorse’s
mouth. After the seahorse struck the shrimp, the shrimp
retaliated by grabbing the seahorse on the lower lip
with one of its pinchers. Most of this rather hilarious
action was impossible to see in the video monitor
of my RED camera. It wasn’t until I looked at
the footage that I was very pleasantly surprised by
this little drama. I was even happier that the action
was in focus, which is no mean trick when shooting
macro with a large sensor camera.
RED Frame
Grabs |
We made three night dives during our stay
at Lembeh Resort. One was to watch mandarin fish spawning.
This event happens every night and it was the only
time the dive site became really crowded. About fifteen
divers gathered to watch the spawning. I’ve
seen many amazing still images of this behavior and
after trying (and failing) to capture this action
with my RED, I gained a new respect for the photographers
who have managed to capture this action. I realized
I would need four or five nights with this site to
myself to get a descent sequence. Maybe I’ll
try that next time I’m at Lembeh.
We also did one dive on the Lembeh Resort
house reef. Danny Charlton has spent considerable
time and money restoring the reef in front of the
resort. It’s not as pretty as most other reef
dives at Lembeh, but the coral is definitely coming
back and we saw lots of interesting critters, some
of which we saw nowhere else.
RED Frame
Grabs |
Our most memorable dive was a night dive
right next to a shear cliff that drops into the sea.
The site is called Nudi Falls. During the dive there
was a terrifying rumble that was physically uncomfortable.
It sounded and felt like a large ship starting its
engine just a few meters overhead. The noise was very
loud and the vibration rattled lungs and other organs.
I’d experienced similar cacophonies diving under
boats with large diesel engines running. Although
it made no sense that a ship would be that close to
our dive location, I was still sure this was what
I was hearing. It lasted about 15 seconds. I discovered
later after returning to the Resort that there had
been an earthquake. If Michele and I had known that
was what we were experiencing we probably would have
completely freaked out especially being that close
to the steep cliffs that formed the Nudi Falls dive
site. That was definitely a first for me (and I hope
a last).
RED Frame
Grabs |
When we made Under the Sea 3D, Michele and
I considered an expedition to Lembeh. But the logistics
seemed too difficult especially with the 1,300 pound
IMAX 3D camera system. But after spending time at
Lembeh Resort, I can see that shooting sequences for
a digital IMAX 3D feature would work very well here.
An underwater IMAX digital 3D system would weight
about 350 pounds, and that could be handled by one
of the Lembeh Resort boats. The huge camera room at
the resort is a very short walk from the boats and
would make working on the gear between dives very
practical. I will certainly keep this in mind as we
consider new projects or when consulting with MacGillivray
Freeman for their One World One Ocean project.
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